Cuban scene of the 1950s, when she sang with the great Sonora Matancera band. She came to America in 1962 and did well initially, but by the early 1970s, her career entered a slump as Latin styles nurtured in the U.S. became dominant. For this mid-‘70s album, rather than recreate the large orchestras that Cruz usually fronted, New York-based bandleader and co-founder of the Fania Records label Johnny Pacheco assembled a small group that included pianist Papo Lucca, tres player Charlie Martinez and several percussionists, including himself. This proved to be the perfect setting for Cruz to reach a newer and younger audience while simultaneously remaining true to her roots.
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